Using stars, if books can ever be fairly classified in such a blunt way, this book requires five.
The first thing to note is that there isn’t much paradise here, even in the relatively mild climatic conditions of the south. Secondly, there are kings, legions of princes and princesses, and every kind of human ogre, and all have very tough lives, many characters hardly rising above the shitpits of crude existence. Generally, this is a story about the brutish nature of humanity, seen in the evil waves of real history and not just in these dystopian pages. The knife cuts every bit as deeply, with just as much pain, as in any human conflict. Little of it is truly fantastical, though we get a glimpse of fantasy spells in the final chapters, though nothing as far-fetched as fire breathing dragons in the first long tome of this eventual trilogy. The overall tone of the book is a plausible if dark read, and not at all one I recognise as fantasy genre. In fact, when fantasy elements crept in they didn’t seem to fit well at all. The balance of reality and wizardry is not my biggest problem here though, that being the overall weight of words.
There are two excellent 80,000 word stories in this long volume, plus 40,000 words of material to save for later. The quality of the writing easily sustained this reader, but as two books in a series, one about the south and one about the north, what is good reading could have been brilliant. The two main stories might be better weaved separately in the proposed series of books, rather than threading separately around each section by section. A minor grievance, as is often the case with indie authors, is that the editing isn’t always quite up to the quality of the descriptive writing, but all in all the production is very good. Some sections of the book, which may have faced late rewrites, are certainly less well chiselled.
I can see one reason for putting all this into one book, that being because the story of Ruka is just too bleak even for the dark side of grimdark, however that could be lightened considerably without losing the terror in his character. The story of the priestesses could easily be written lightly enough to act as a counterfoil, which to some degree it is anyway. I have to admit that a book focused simply on Ruka would have many readers reaching into their drug cabinet.
As mentioned, the book moves further from a classic dystopian genre towards fantasy as the abilities of Kale ‘mature’. In my view the ‘game of thrones’ feel of the script is strong enough without superpowers, and certainly Nell writes great storylines that really don’t need the escapology of supernatural talents. Exaggerated human skills, even out of body experiences, fit the foundations of the book’s world very well, but the creeping in abilities of Nordic gods, in my opinion, don’t.
My interested was sustained, I really wanted to get to the conclusion. However, when the end came we had already passed several far more powerful climaxes. That was certainly a disappointment, if one that isn’t uncommon in planned trilogies. Authors need to hold back some storylines of course, but the biggest ‘bang’ in every book in a series should be in its final chapters.
Would I read more by this author? Yes, for sure. But also note that I already feel I’ve read at least two of his books.