This is a really good book for the ‘between years’ reader and younger adolescents. Well, so says I, from the distance of my 60s and many years from having even the connection of children of such ages. I enjoyed delving into Cauldron’s fantasy adventure, with its traditional fight between generally righteous good and the forces of evil. The writing is exuberant, pacey, entertaining; surely a reflection of the author’s own joy in the telling. The plot is moved along without delaying information dumps, telling us just enough to paint the required pictures. I genuinely felt that Cauldron easily puts herself in young shoes.

     This is the second in series, and though I haven’t read the first book I had no difficulties with the story or the interesting range of mainly adolescent major characters. The fantasy elements were a nice mix of stock-in trade fantasy and material original to the author’s mind. There is loads of potential for at very least the completing of a trilogy, with plenty of unanswered plot twists, without over-treading too many familiar paths. I see no reason why this shouldn’t build into a well followed, long series. I would have loved reading about Anya’s world as a child, and perhaps especially having it read to me as my interest in fantasy worlds lagged some way behind my reading ability.

     The emphasis on a strong female heroine, sorry I’m old enough that I still struggle with the use of a non-gender specific hero, is very much the trend. That is a clear reflection of the empowerment of women throughout all the major strands of modern society and culture. Cauldron’s writing is very much of the ‘Queendom’, with the female protagonist balancing the best of, with the worst of gender. That is something of a relief, running as it does against the grain of so much modern writing, even though the negatives of gender are mainly in the form of the traditional wicked witch. I am very pleased to say that some of the boys are written with real individuality as well. In short, there is balance enough that young males will find characters to dream through rather than simply of. This is definitely a ‘Hermione Granger’ rather than a ‘Harry Potter’ story, however, Cauldron keeps a Rowlingesk balance in her Queendom. I’m sure that the greatest part of Rowling’s success is her ability to make all children, um- and grown-up child, feel that given another time and space that they could be a character in her fictitious worlds.

One thing I like about my vision of Anya is that she is ‘actually’ a realistic role model, if that makes any sense at all in a fantasy book. I mean of course, that she isn’t either impossibly beautiful or talented. She is just Anya, from the next house down the street, with typical parents, and a mixed range of friends. Wand and a bit of intuition aside, she is just one in a crowd, like just about any of us in the real world. She sometimes fails to measure up, gets her hands dirty, makes a fool of herself, fails to fit in; just like everyone else.

     I will look out in the hope of reading a few reviews from the target audience, to see if Cauldron has hit the nail as well as I think she has. After all, it is children, not life-blunted old adults that are the best guide to the writing of young people’s fiction. This book perhaps needs a bit more editing in places, but yes, this is good storytelling of a fantasy kind.

    What comes next out of the Cauldron?

 

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